
《开卷》由《联合早报》副刊和早报播客制作,与海内外读者和听众一起走入新加坡文学的世界。每逢星期四新加坡时间6时更新。
| Publishes | Weekly | Episodes | 220 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | Society & CultureArtsBooks |

这首《乞讨的脸》以何家良的木刻版画《我们要生活》为引,却并不止于对画作的描摹与诠释,而是借画中之“盆”,承载起对战争、苦难与人性的深沉叩问。全诗以简洁而有力的意象语言,构建出一个黑白分明却层次丰富的诗意世界,其整体氛围是空寂且沉重的。
陈志锐副教授现任南洋理工大学国立教育学院研究生与专业课程学院副院长。作为一名学者、作家与艺术工作者,陈志锐曾发起新加坡全国学生文学奖、新加坡诗歌节,并担任东南亚文学奖、新加坡文化奖、金笔奖、新加坡年度书籍奖等评审。他曾获新加坡文学奖、金笔奖、方修文学奖等奖项,... more
散文是语言艺术,是以自我为中心的“自我叙事”。但散文是否必须是真实的创作?
本期的联合早报播客《开卷》邀请作家君盈绿上节目聊她的最新散文《听风唱歌 看树曼舞——写意浅品林中下午茶》的创作动机、观察视角、情感表达和文字美学。
君盈绿,原名刘秀珍。新加坡土生土长。厦门大学文学博士,自由撰稿人,驻校作家。新加坡作家协会、世界华文微型小说研究会理事。《新加坡文艺》《新华文学》主编。著有散文集、小说集并游记多本。
《开卷》由《联合早报》副刊和音频组制作,与海内外读者和听众一起走入新加坡文学的... more
清哲的诗《新装》,表面上写自然景物与一株“改变了姿态”的植物,但在隐约的意象背后,诗人其实把含羞草拟人化,让它承载一种对生活状态的反思,以及对改变自我的期许。整首诗像一段从拘谨走向开放、从退缩走向主动的心理历程,宛如含羞草焕发“新装”的象征。
新加坡作家清哲,本名陈美松,好阅读,喜沉思。他的笔名包括圭无人和清柘。他的诗歌作品,例如《雨前》和《等待》,也曾在《联合早报》的播客《开卷》中发布。
《开卷》由《联合早报》副刊和音频组制作,与海内外读者和听众一起走入新加坡文学的世界。每逢星期四更新... more
《雨缝里的光》让人感触最深的,并非“裂缝中有光”的慰藉,而是诗人选择让答案悬而未决的勇气。诗中密集的裂缝意象——从玻璃碎片到地层声带——不是等待填补的空洞,而是世界呼吸的器官。当外界的雨雾侵入瞳孔,人自身便成了那道裂缝。那句“雨缝可有太阳的光谱”,不满足于微光照进,而是追问光的完整可能。在一个归路被雾吞没的世界里,这种向宇宙发问的姿态,本身就是穿透雨幕的光。
作者落雪原名濮南兰,从事华文教学工作,现代诗作者,诗作曾发表于《联合早报》副刊、《创世纪》诗刊、《声韵》诗刊等。
《开卷》由《联合... more
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Apple Podcasts | #158 |
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开卷 launched 4 years ago and published 220 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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