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象形音声

布奇

聊电影和其他,而非借电影聊其他。

PublishesTwice monthlyEpisodes48Founded2 years ago
Language
ZH-CN
Number of ListenersCategories
TV & FilmArts

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Latest Episodes

“ 仇恨不是天生特质,恐惧是。”

“寻找一双还没看过《爱,死亡和机器人》的眼睛。”

这是一个影视剧重度爱好者才熟悉的句式,用来形容某个影视作品给迷影观众带来的独特的、不可替代的、愉悦的观影感受。那种独特性和愉悦性,让人希望自己还没看过那部作品,让人希望自己可以重新感受一遍初看时的惊艳。

2019年首播的《爱,死亡和机器人》第一季,再适合这个句式不过。

《爱,死亡和机器人》第一季由18集动画短片组成,每集15分钟。各个短片之间相互独立,风格迥异。这次我只讲第一季的第一集——“桑尼的优势”。... more

“世人凭什么替梵高感到欣慰?”

聊聊梵高。

本期节目会说到但不仅限于以下内容:

• 梵高是个icon

• 那些谈论梵高时的“叙述诡计”

• 艺术家的“纯粹”

• 假如梵高知道…

• 发现“当代梵高”

• 不过生发于一种不忍

“细微之处见真章。”

电影必然是越看越细的。粗糙的概括性了解,粗浅的理论性归纳,在我看来没什么意义。

这次只讲《镖人》的一场戏。这场戏不复杂、也不难懂,但是有非常严重的错误。只有对电影有深入了解,对电影创作有一定了解的人,才能意识到这个错误的严重程度。

在此电影艺术式微之时,我偏要强调对电影见微知著的欣赏能力和深入细节的创作能力。

“专业影评”中的“专业”。

带耳机,或者声音调大。

“你要内心恢弘。”

2009年,三个幽灵在好莱坞游荡,技术的幽灵,电影技术的幽灵。它们太过成熟也太过急迫。它们急迫于登上银幕,急迫于在银幕上给观众带去前所未有的震撼。然而,一切的前提是——必须有一个电影故事,让这三个技术的幽灵寄身其中。

这三个电影技术的幽灵分别名为——“3D摄影”“表演与表情捕捉”“特效渲染”。

时至今日,回看2009年的第一部《阿凡达》,我认为是那三项电影技术选择了詹姆斯·卡梅隆,而非詹姆斯·卡梅隆运用了那三项电影技术。因为,《阿凡达》的故事并没有多少原创性,并没有多少... more

“现实的答案和故事的答案,天差地别。”

做这期节目之前,我对《疯狂动物城》系列电影的评价似乎处于“薛定谔的猫”的状态。如果我选择忽视这个系列的缺点,只关注那些耀眼的、高出同类动画一大截的优点时,我会认为这个系列非常不错;而如果我选择认真审视这个系列的缺点,意识到再多优点也掩盖不了这些缺点时,我又会认为这个系列相当糟糕。

但是,当我做完这期节目那一刻,我对这个系列的评价“坍缩”了。一旦醒过来,就再也“梦”不进去了。

评价左右摇摆其实也说明这个系列不简单。电影不简单,就不能简单地评价。所以,对... more

“ 大部分对《狂野时代》的解读,都可以用一个成语形容——削足适履。”

多年以后,某个安静的深夜,一个沉迷电影多年的影迷刚刚重新看完《狂野时代》。tā发现,自己当年第一次看这部电影时,并没有意识到自己在看什么,只是有很多模糊的感动。tā同时又会庆幸,庆幸自己没有轻视那些模糊的感动,而选择在今夜重看了《狂野时代》。如果没有这次重看,多年的迷影生涯将会留下一个重大的错过。

类似上述情景不断发生,电影因此得以不死。而不是因为多了几篇脱离观影感受、丧失观影直觉的“理论化”“概念化”影评。

我不知道自... more

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象形音声 launched 2 years ago and published 48 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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