象形音声
布奇主播虚名“布奇”，深耕电影艺术和电影创作多年，对电影形成了诸多独特看法。深入电影艺术的人能一眼识别其中的本质性、深刻性和前所未有。 然而，本质和深刻不等于复杂。关于电影的很多问题，说清楚其实只需一句话，不必万卷书。 “象形音声”进入电影的方式，之前从未有过。
| Publishes | Twice monthly | Episodes | 54 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language |  Chinese (Simplified) | Number of Listeners | Categories | TV & FilmArts |
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“定义蜘蛛侠的，不仅仅是蛛丝。”
很明显，《蜘蛛侠：崭新之日》的创作方向和之前的漫威电影宇宙（MCU）作品有很大不同。所谓“故事精彩”“情感动人”的评价，说的可能都是这种创作方向的转变。
但客观来说，《蜘蛛侠：崭新之日》的这次创作转向，并没有给“蜘蛛侠”这个角色带来新的内容。这次创作转向，只不过是一种“毫无创新的创作回退”。
2019年，马丁·斯科塞斯曾批评漫威电影宇宙（MCU）的作品不是Cinema。那年，漫威电影宇宙（MCU）风头正盛，很多人只把这个批评当作一个梗，而少有人关注这个批评... more
“周星驰的变与不变。”
痛批《功夫女足》在这个阶段似乎成了某种“评论正确”。不义愤填膺地批评几句，好像就不能体现对电影艺术的高追求了。我倒是想冷静冷静。冷静，并不是要给周星驰洗白。
其实，之前的周星驰没有很多人想的那么神，现在的周星驰也没有网上批评的那么堕落。所谓的“周星驰变了”，只是周星驰作为一个创作者，处于不同的创作阶段而已。
这电影的特效确实不够精致，值得批评。但很多人对特效的批评，并没有切中重点。很大一部分对《功夫女足》特效的批评，都缺乏导演视角，缺乏创作视角。不能从宏观的视角看待... more
“冯小刚相信的；冯小刚寄情的；冯小刚歌颂的。”
冯小刚的这部《抓特务》不是什么上乘佳作。但它也并非很大一部分人认为的那么简单。认为《抓特务》只不过是一部普通的主旋律电影的观点，看电影看得还是太驽钝了。
电影《抓特务》里可是有批判性的！而且批判得还不弱！因为删减以及创作者的有意藏匿，电影里的批判性变得不那么显眼了，不那么锐利了。但是，不显眼不等于不存在；不锐利不等于无迹可寻。寻不寻得到，全看观看者是怎么看电影的。
电视剧《无悔追踪》之于电影《抓特务》，普遍被认为是那个在前珠玉。“普遍的”，可... more
“复古的、老派的，还是陈腐的、老套的？”
《揭秘日》的问题，观影经验丰富的朋友应该不难洞悉，不需要我赘述。这次我更关注的是，那两种对《揭秘日》相左的评价。有趣之处在于，这两种相左的评价在某种程度上又非常相似。
褒扬《揭秘日》的评价称其“老派”；贬低《揭秘日》的评价谓之“老套”。同样是“审老”，审美结论却完全不同。明晰了个中差异，对电影则少一分懵懂。
这期节目，讲讲为什么会有这两种相左又相似的观点？
在小宇宙查看该单集文稿
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Apple Podcasts | #183 | China/TV & Film |
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象形音声 launched 2 years ago and published 54 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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