沒有重點,可能是音樂,先吹再說。 由爵士樂逃兵,人稱everything總監的音樂人柯智豪,和現役爵士樂亞哈船長,吹毛求疵超愛吹的謝明諺共同製作的盲核音樂節目。 ——— 戲台放送「戲台外送」 由 柯智豪音樂工作室 製作 -- Hosting provided by SoundOn
Publishes | Monthly | Episodes | 35 | Founded | 2 years ago |
---|---|---|---|---|---|
Language | Categories | Music InterviewsMusic |
0:00 日本企劃好厲害,我們也想!
5:11 音樂人的日常思考、輸出輸入
14:59 音樂人可以更往前一步的突破
18:39 政黑時間!
20:35 當代聽團節目的影響
24:18 政治、版權與音樂考量
34:39 文化底蘊與自我建構
—————
謝明諺
柯智豪
www.facebook.com/blairekomusicstudio
--
Hosting provided... more
0:00 爵士樂手的出國演出路徑
4:50 日本的promoter模式
9:49 法國奧運驚人的文化體驗
12:57 服務型演出的文化符號衡量
19:25 製作人的溝通視角
23:28 音樂人的藝術堅持與具象化策略
28:01 音樂名詞的社會定義與評論本質
—————
謝明諺
柯智豪
www.facebook.com/blairekomusicstudio
--
Hostin... more
0:00 一起發現新世界:製作人余佳倫
4:20 製作前先把歌脫光(???)
7:50 預製鋼琴專輯「at one」製作視角?
12:57 與錄音師/共同製作人二川的工作策略
17:54 鋼琴手轉型製作人的身體轉化
20:50 音樂環境的精神性
25:05 不認識更有趣!「at one」的挑戰限制
32:41 這是一個不缺多元的時代
35:39 製作人看AI世代的音樂價值
—————
謝明諺
more
Kenny G的器樂cover潮與Smooth Jazz時代
0:00 初見Kenny G的器樂cover時代
4:19 Kenny G紀錄片與關鍵瞬間
10:03 創作者的意志、市場與時運
18:20 幫謝明諺找一個Michael Bolton!
21:13 smooth jazz的時代開啟
25:47 薩克斯風很適合政治不正確!
28:17 謝明諺的下一張專輯?
—————
謝明諺
柯智豪
more
——紀念我們崇拜的fish.the(黃凱宇)1970.9.2 - 2024.2.10
3R2 & fish.the 單曲發行與告別派對
3/31 17:00-21:00
23 music room
www.facebook.com/events/731541138959964
—————
「fish大,再會!」—我們所認識的fish.the
0:00 剛認識 fish.the 的那時候
5:40 後來組了一些奇怪的團
11:38 那一張燒王船的照片—... more
0:00 演出中的技術協調、詮釋策略
5:10 配唱製作的幕後記憶
12:16 謝明諺開始玩合成器!
14:02 《夜婆》製作的策略考量
19:30 當代爵士樂學習的去脈絡景象
28:30 爵士樂手的自我要求與自動導航
33:59 樂手在演出中的角色認知
38:33每天要練琴、新音色的探索
—————
謝明諺
柯智豪
www.facebook.com/blairekomusic... more
0:00 選舉年!音樂人的新舊曆過年
3:27 戒嚴時期的年少回憶
8:05 去脈絡化世代的音樂學習方式
13:20 政治的去脈絡時期
15:55 韓劇的脈絡輸出超強
18:00 張力十足的戒嚴畫面
22:28 《夜婆》裡的柯智豪風格剖析
28:57 音樂製作人的策略思考
—————
謝明諺
柯智豪
www.facebook.com/blairekomusicstudio
—... more
《夜婆》Panai巴奈(製作人 柯智豪)
event.fantimate.com/panai2023/
—————
0:00 出國大爆買的音樂營養品!!
9:26 日本—成熟的爵士樂環境
15:10 挖寶持續中!向世界做功課
22:13「日本爵士樂的總本山聖殿」PITINN
25:00 音樂人的成長路徑,前方是什麼?
32:19 說不就不!音樂人特別的人生條款
35:26 挖寶part III ,黑膠來啦~~~
38:18 爵士樂界的女力崛起... more
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