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吞影吐物

吞影吐物

《吞影吐物》是一档由三位「大鱼、小刀、黑登」主持的影视漫谈类播客。我们试图拓宽电影的边界,挖掘观影后更多的思考,讨论电影与生活间的万般可能。 「关于我们」 节目主播:大鱼、小刀、黑登 声音设计与剪辑:黑登 「找到我们」 节目微博@吞影吐物Podcast 大鱼@immonami 小刀@小魚魚儿君 黑登@黑的登 合作邮箱|yujiyao123@163.com

PublishesWeeklyEpisodes22Founded3 years ago
Language
ZH-CN
Categories
TV & FilmArtsPerforming ArtsFilm Reviews

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Artwork for 吞影吐物

Latest Episodes

「吞影吐物」停播3个月整,我们非常遗憾用这样一期节目与大家重逢。 more

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2 years ago

2021年圣诞节的这一天,薇薇在厦门开始金鸡奖的工作。就在圣诞节的这一晚,薇薇和「散场通道」的主理人麦高芬再次相见,还相识了「硬核电台」的主理人阿甘,B站UP主「boyan___ 」。那晚四位在一家酒吧边喝着酒,边聊了很多关于电影的话题。喝完酒还不尽兴,所以找了一家烧烤店吃起了夜宵。为了这次难得的机会,就在吃烧烤的过程中,录制了这期节目——「即兴的个人年度电影总结」。 more

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2 years ago

一位演员在电影里的角色定位和造型,是否成为影响你去喜欢这位演员的主要因素?本期节目邀请到 — 球「@叶南秋」,和大鱼一起探讨我们所喜欢的那些演员。 more

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2 years ago

贾樟柯虽然是作为第六代导演的代表人物,身上却深深印有第五代导演人的特征,比如同样都具有很强的主观性,都有着对城乡差别的深刻关注,以及对时代变迁的思考等等。第五代的导演热衷于使用浓烈的色彩,塑造悲壮的人物,作为他们表达的出口,与他们作品中强烈的个人情感和风格相比,贾樟柯镜头下的世界显得格外的平静无奇,甚至很难看到所谓的情节设计、人物弧光,因为在贾樟柯的电影里,他的所有激情和热爱,都在于对自己故乡的怀旧,和那些底层小人物的关注,他真真是一个时代、一个过去的记录者,在他的电影中,记录着故乡,记录着时代... more

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2 years ago

来自四川成都的大鱼,来自河北唐山的黑登,都是在地震的阴影下成长起来的一代。唐山大地震与512汶川大地震,我们和我们的家庭都是亲历者。“地震”是两省人民的共同至暗记忆。本期,让我们从《唐山大地震》这部影片展开,聊聊地震给我们带来了什么,又带走了什么。 more

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2 years ago

借Facebook公布元宇宙计划——”Meta”之际,本期我们三位基于大卫·芬奇的《社交网络》(2010)这部片一起聊了聊对于工作的看法、对于创业的看法。主播三人生活态度和工作态度迥异的90后,虽然共同经营着这个播客节目,但是通过这次深入的对话,我们第一次深入彼此内心最原始的想法。甚至约定好5年之后再聊《社交网络》,见证彼此的成长。《社交网络》完整叙述了马克·扎克伯格的创业之路,Facebook如何从一个idea落地成如今市值九千亿的神级互联网公司。影片中哈佛校长的那句”inviting a j... more

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2 years ago

时隔两周之后我们终于更新了,本期节目献上了敲定许久的电影主题——《楢山节考》。众所周知,该影片有两个导演版本,分别是1958年的木下惠介和1983年的今村昌平。影片根据深泽七郎同名原作和另一部短篇小说《东北的神武们》改编而成。在日本的部落生活制时代,由于生产力的低下,形成了只要有生就得有死的节制人口的扔老人上山的可怕⺠俗。我们分别就两位风格迥异的导演版本进行了对该影片的主观解析。日本民族发展历史里,揭露真是面纱,两位导演都做得非常成功。 more

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2 years ago

节目停更了两周,虽然没有遭遇到听众朋友们的「催更待遇」,但是有必要做一期简要的声明:为何停更?以及停更的期间,是否有为在节目做未来的选题规划? more

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2 years ago

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