【西方古代建筑史系列】·总计21课时
第一讲:滥觞时代——古埃及·两河流域·爱琴文明建筑概况
第二讲:学院时代——古希腊建筑概况
第三讲:帝国时代——古罗马·拜占庭·罗马风建筑概况
第四讲:经院时代——哥特建筑概况
第五讲:超人时代-上——文艺复兴建筑概况
第六讲:超人时代-下——文艺复兴艺术思辨
第七讲:纷争时代——巴洛克建筑概况
Publishes | Weekly | Episodes | 7 | Founded | 9 years ago |
---|---|---|---|---|---|
Language | Categories | ArtsDesignSociety & Culture |
【简介】
文艺复兴从思想上完全以古希腊的哲学体系为基础,古希腊的神学虽然是我们从神话中读到的众神论,但是,从毕达哥拉斯经柏拉图到亚里士多德的雅典哲学,却主张主宰世界的绝对不变的理性,这在经院时期就成了基督教世界的思想基础。
后面我们将看到,柏拉图的“理念”是文艺复兴美学的绝对起点,在这些渊源下,文艺复兴的艺术家们对上帝的信仰,绝不会比哥特时期的经院哲学家逊色。
讲座资源共享!【讲座音频】链接:pan.baidu.com/s/1jI6OpIu 密码:72vv【讲座课件】链接:ht... more
【简介】
意大利是文艺复兴时代绝对的艺术和文化中心,西欧建筑和艺术的权杖,在同源于法兰克的法国人和德国人手中紧握了一千年,终于交还给了罗马人的后裔。整个文艺复兴时代,欧洲各国对意大利的“朝圣”从来没有停止过。
伯鲁乃列斯基早年是金匠,当时是顶尖的机械师,凭着科学透视法改变了整部西方绘画史的进程。论绘画,论雕塑,论建筑;阿尔伯蒂以一己之力,用文字承载了视觉艺术的三大领域,建筑世界中实践与理论并行的时代也从此开始。在圣彼得大教堂的记功柱上,铭刻着达·芬奇,伯拉孟特,拉斐尔,佩鲁济,米开朗基罗……... more
【简介】 巴洛克的原意是“畸形的珍珠”,诚如这诗意的描述,有些人痴迷于它的璀璨,有些人则痛恨它的扭曲。很多学者认为,巴洛克建筑师的动机是推翻文艺复兴重建起来的古典传统,但是巴洛克的大师们却都声称自己是文艺复兴的正宗传人,并把米开朗基罗奉为共同的偶像。巴洛克对文艺复兴,充满了向往与敬仰,从未有过如文艺复兴对哥特的仇恨。 贝尔尼尼将集中、纵长两种平面相折中,得出了“中心化纵向平面”;博洛米尼的四喷泉圣卡利诺教堂中,浓重的内檐口,将平面形式尽收眼底;瓜里尼巧妙布置建筑要素,成功地消解了人对空间关系的认... more
【简介】 “哥特”,是文艺复兴建筑师们用来咒骂他们所憎恨的蛮族艺术,如今它所附带的诅咒早已被解除。当时诸侯割据混战,但教廷的势力跨越了狭隘的民族界线,把西欧统一在天主教世界中。为捍卫信仰,教廷必须修建伟大的教堂来坚守和加强天主教的核心地位。在天主教信仰最狂热的年代,西欧大陆上的建造热情甚至可以超过古罗马的“尼禄时期”。 哥特建筑,至迟自勒·迪克以来,一直是结构理性的传统原型。但在建筑装饰的视角下,哥特建筑的最基本特征——肋、束柱、尖拱、尖塔、线脚等等,却呈现强烈的美学而非功能意义。哥特建筑的奇观... more
非常睿智的讲座,风趣幽默不乏哲学的思考。很有深度的讲座和讲师!
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Apple Podcasts | #245 |
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