Stimme zu Marke - der Podcast
Robert MillerDer Weg zum professionellen Sprecher - von Stimmbildung zu Marketing. Viele Tipps, Tricks und Erfahrungen für alle, die mit ihrer Stimme wirken wollen.
| Publishes | Daily | Episodes | 96 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language |  German | Categories | BusinessArtsMarketingPerforming Arts | ||
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Latest Episodes
In dieser Folge treffe ich den Schauspieler und Sprecher Oliver Scheffel
Dieses Mal treffe ich die wundervolle Synchronsprecherin und Buchautorin Sabine Bohlmann - u.a. die Stimme von Lisa Simpson, Tiny Tina (Borderlands) und Kenny (South Park)
In dieser Episode treffe ich die Sprecherin und Podcasterin Henni Schreurs.
Diese Woche zu Gast: Die Schauspielerin, Sprecherin und Sängerin Vanessa Frankenbach. Das Energiebündel erzählt humorvoll und inspirierend von ihrem Werdegang und Alltag.
Chart Rankings
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #248 | Germany/Arts/Performing Arts |
Audience Metrics
Listeners, social reach, demographics and more for this podcast.
| Gender Skew | Location | Interests | |||
|---|---|---|---|---|---|
| Professions | Age Range | Household Income | |||
| Social Media Reach | |||||
Frequently Asked Questions About Stimme zu Marke
Where can I find podcast stats for Stimme zu Marke?
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How many subscribers and views does Stimme zu Marke have?
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Which podcasts are similar to Stimme zu Marke?
These podcasts share a similar audience with Stimme zu Marke:
1. Der Tag
How many episodes of Stimme zu Marke are there?
Stimme zu Marke launched 4 years ago and published 96 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
How do I contact Stimme zu Marke?
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Where can I see ratings and reviews for Stimme zu Marke?
Rephonic pulls ratings and reviews for Stimme zu Marke from multiple sources, including Spotify, Apple Podcasts, Castbox, and Podcast Addict.
View all the reviews in one place instead of visiting each platform individually and use this information to decide if a show is worth pitching or not.
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