一個在坡上任意胡謅的小說家。停車場車上uncut收音中,分享影評/劇評/書評與些許呢喃的事情。 來自於大自然界最常出現的「擬態」技術,那是屬於生物體系內最強的偽裝技術。昆蟲、動物、植物們以難以想像的技術貼合在環境之中,而身為半個業餘寫作者,希望能站在這些美好作品身旁,以「擬態」之姿俯身在旁吸收其涵養,在斜坡上胡謅著自己的想法。 歡迎從這裡找到我 portaly.cc/xereo Powered by Firstory Hosting
Publishes | Monthly | Episodes | 29 | Founded | a year ago |
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Language | Number of Listeners | Categories | Film ReviewsTV & FilmTV Reviews |
其實這不是沒問題,但整體看下來就是勳前期作為太少,他並不存在可以有任何浪費時間的機會,也就是他的「辦案」就是一個One Shot,要在最短的時間內,把故事推進到勳認真開始懷疑武內的基點之上,才能串接跟雪見開始共同懷疑武內。雖然鳥越的故事相當流暢、順遂,但這樣的說詞與「線索用法」變成了一道反射鏡。就像是我們玩RPG遊戲,開對了NPC角色,找到了任務重要關鍵人物。而我們就是買了攻略的玩家,一拳直接找到了龍穴。
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隨著艾連老家的地下室秘密解密之後,我們心中的調查兵團也像是解散一般。因為「人類」的敵人不再是「巨人」了。這裡的人類也不再是人類,里維、艾爾文口中的「人類」,原是信念、是一個代表「整體」的主詞。當秘密浮出水面之後,我們才知道這裡的人類,是艾爾迪亞人。那個被世界憎恨、拋棄的艾爾迪亞人。而那個「巨人」,也是艾爾迪亞人被這世界上的一切所憎恨之原因。
「主詞」的調動成為了觀影者在牆後篇閱讀上的痛苦。
因為我們不再是所謂絕對正派的一方,
也並非絕對反派的一方。
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在「頂尖對決」之後,我想起了敘述型詭計的重要作品。那就是東野圭吾的「惡意」。
而對我來說,對這部作品總有一個沒辦法說服我的觀點,待我娓娓道來。
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為何要讓觀眾們在各個視角之中疲於奔命呢?原因是這部作品本質而言也是一種「魔術秀」。它必須符合它本質在這部電影中所要闡述的精神,永遠要把最秘密的一環扣在最後。當波登的皮球再次在彈跳在黑暗之中。你是否也像安傑一樣呢?終於恍然大悟,其實所有線索都在眼前,其實你不是看不見,你只是想要被騙 。
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坡上的擬態 launched a year ago and published 29 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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