賣畫小姐 THE GALLERINA｜藝術圈生存指南
Gladys Lin｜賣畫小姐一件作品怎麼從無名到天價？畫廊、拍賣、機構、藏家之間的權力遊戲，局外人看不見，但它決定了藝術世界的一切。 歡迎來到《賣畫小姐：藝術圈生存指南》。我是Gladys Lin，藝術顧問，在這個圈子工作超過20年。 我不是來教你欣賞藝術的。我是來告訴你，這個世界真正怎麼運作。 👇 掌握第一手藝術情報： 🧵 Threads｜看更多畫廊日常： www.threads.net/@gladyslin_projects 🌐 Official Website｜官方網站： www.gladyslinprojects.com Powered by Firstory Hosting
| Publishes | Weekly | Episodes | 7 | Founded | 2 months ago |
|---|---|---|---|---|---|
| Language |  ZH-TW | Number of Listeners | Categories | ArtsBusiness |
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在藝術市場裡，錢能解決的問題比你想像的少。
旅居倫敦的資深藝術媒體人 Vivienne Chow，見證了香港從電影黃金年代到 Art Basel 進駐的整段歷史。這集她和 Gladys 談的不是哪個藝術家值得買，而是一個更根本的問題：當你用亞洲的錢在西方的規則裡玩，你真正買到的是什麼？
留言告訴我你對這一集的想法： open.firstory.me/user/cmoir8gdc0bju01udgrj3fyp1/comments
🧵 Threads｜藝術顧問的日常洞察： h... more
薪水、場面、精緻窮，與二十年後的一句真心話。
每年畢業季，我都會收到同樣的問題：
「藝術圈值得進嗎？」
我的答案通常不是值不值得，而是你有沒有先搞清楚自己是誰，再進來。
這一行很漂亮，也很殘酷。
你每天可能接觸幾十萬、幾百萬，甚至更高價的作品。但回到自己的生活，房租還是房租，帳單還是帳單。
那個懸殊是真實的。
很多人後來會開始用外在符號處理這個落差。
用名牌包撐底氣。
用商務艙撐場面。
用一個看起來成功的人設，撐住自己還沒站穩的位置。
我都見過。
也見過它最後的樣子。
🎧... more
泡泡瑪特股價大跌，不只是 Labubu 還紅不紅的問題。
我想到的是幾年前在台中看過的一個倉庫收藏：上百件作品，資料齊全，紙上看起來像是一個收藏；但真正回到市場，大概八九成都很難流通。
藝術市場最殘酷的地方是：
買的時候，每件作品都有故事；
想賣的時候，市場只問一句話——現在，還有誰要？
這一集從 Labubu、台中倉庫收藏，到疫情前後被快速推高的 ultra-contemporary 市場，聊聊為什麼有些東西紅得很快，也冷得很快。
紅，不等於有價值。
有故事，不等於能轉手。
收藏最怕的... more
「這件很重要」——在藝術圈，這句話你一定聽過。
但重要的是誰？對哪個系統重要？市場熱度、機構認可、藝術史位置、還是某位重要藏家曾經選擇過它——這四種「重要」，指的根本不是同一件事。
這集從美國出版大亨 S.I. Newhouse 的傳奇收藏談起，拆解為什麼他的眼光在市場上仍然有效——以及他身邊的 Alexander Liberman，如何成為連接藝術史現場與私人收藏之間的那條通道。
畫廊說「重要」，你不需要立刻相信，也不需要立刻否定。你需要的是知道那個重要到底站在哪裡。
留言告訴我你對這... more
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