
這是一個以談論臺灣特技、雜技、馬戲歷史脈絡的頻道。 每個月30日晚上 21:00 準時上線! ----------- 聯絡信箱:tcg.circus@gmail.com 官方網站:www.tcg-circus.com FB : 馬戲之門 Circus gate IG : @circus_gate Powered by Firstory Hosting
| Publishes | Infrequently | Episodes | 5 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language | Categories | Performing ArtsArts | |||

這集將與你分享雜技在民國80-90年間的發展經歷!
民國80年後出生的你可能聽過戲劇、音樂、舞蹈,但你會在哪聽過雜技呢?
隨著時代的發展所謂的傳統民俗技藝是否逐漸消聲匿跡。
跟著我們一起挖掘過去的歷史,重新認識臺灣的馬戲文化吧。
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雜技的使命是作為國民外交的重要軟實力,但卻並非表演藝術的類別之一,是因為雜技的藝術性不高,才被放在民俗技藝裡嗎?另外一方面,雜技學校在後來傳承的部分是有啦,但創新的部分......(不好說)而本集回家作業就是一起來討論:如何不斷思考並透過創作或對話,期待不久後的將來我們再申請補助的時候就可以看到馬戲或雜技也是表演藝術的類別之一了。
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法國學運跟我們臺灣有什麼關聯?傳統馬戲如何轉型?藝術跟社會的關係是什麼?星合老師在亞維農藝術節發現了馬戲新大陸!馬戲不再只有身體技術,國外馬戲表演一個人竟然可以solo六十分鐘!怎麼辦到的!馬上收聽本集一探究竟!
資訊錯誤修正:
2016年衛武營馬戲平台「陳星合」為策展人並非協助策展。
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「如果你是一名雜技表演者,身處於民國50-60年經濟起飛的年代,
你覺得你會去思考到所謂的藝術性創作嗎?」
經濟起飛的年代,雜技家班是如何趕場演出?觀眾們又是如何『追劇』?
讓我們從這集,了解臺灣經濟起飛時代的雜技家班的走向吧!
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原來馬戲的歷史也可以這麼精彩!
好喜歡這對對答提問的方式!
許願~想知道當代馬戲的由來還有演變過程
期待有一天可以看到淑蒸後空翻
我會每個月收聽的❤️
吸收更多有趣的馬戲密事,會與慧慧ㄧ起收聽的❤️
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