「假杂志电台」是一个基于摄影,新闻,生活方式和艺术事件的讨论地。在此地,我们通过不同话语的讨论来扩宽文化视野,评述文化风向。
Publishes | Monthly | Episodes | 27 | Founded | 4 years ago |
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Language | ZH-CN | Categories | LeisureBooksHobbiesArts |
当我们去回顾日本摄影史时,得以发现“快照”一直是整个日本摄影乃至现在非常重要的一种创作类型。然而相比于指向诗意的,情绪的影像,佐内的影像风格就像他本人一样,永远是赤裸裸的,逃离意象的,甚至于沉迷“无聊”时刻的摄影。然而这也不妨碍他成为佐内正史,成为日本摄影中的一部分。
今年初,Akio Nagasawa Publishing为已故摄影师须田一政出版了绢面精装版的《关东风谭》(The Sketch of Kanto Area)。这本书汇集了他在 1983 年出版的六期《朝日相机》杂志上发表的城市快照。与须田一政其他广为流传的作品不同,这一叠快照被掩盖在了“须田调”的光环之下,鲜为人所知。于是我们邀请到了译者和日本摄影研究者林叶老师来聊聊须田一政他的影像和创作生涯。
2008年,何颖宜、王卫、姚嘉善一起在北京成立了一家独立运营的艺术空间——箭厂空间(Arrow Factory)。它坐落在北京市区中心的一条同名的小胡同里,与其他艺术空间不同的是,箭厂并不试图将自己隐蔽起来,等待同好者的寻找。这个小到只有15平米的空间,以一个呈敞开的方式与公共进行着对话。箭厂就像胡同里的橱窗,每周七天、每天二十四小时你都可以在街面上一眼看到艺术展览的发生。在箭厂空间创建五年之后,一个更开放的“五金”诞生了,当谈到“五金”到底做什么的时候,何颖宜解释道:“对于五金来说,盈利本身并... more
欢迎收听假杂志电台,这期内容我们再次承接了第二十期《当我们回到土地》的话题,回到田野去思考。我们这次将目光从陆地转向了海洋,这个对于人类来说依旧充满神秘感的领域。从某种程度上来说,人类对于太空的探索和海洋的探索进程几乎是相同的匮乏,海洋内部到底有着怎样的肌理,它在历史中的进化如何演变?我们尚不得知。但相较于离我们更远的外太空,从人类的目光来说,我们与海洋的表层有着紧密地互动,它深切地影响着我们的生命、生产和生活。 more
这期的标题也是我们在策划这期栏目时最大的困惑,这年头还谈杂志,到底能聊出个啥?这个问题有着完全泾渭分明的两种反馈,对大多数路人来说,纸媒的坟头草已经两丈高了;另一端在独立出版的领域里,杂志一直都有着自己独特的位置,甚至在这几年里,我们无论是国际上,还是国内,都看到了不少优秀的,并且能感受到一种很有生命力状态的杂志。 more
这个月初摄影师林舒和塔可各自都出版了新书「塔」与「碑录——黄易计划」,这两本影像书在某种程度上都强调了摄影作为一种凝聚视线的“观”,以及图像本体的表达。在与他们的交谈中,我们离开了喧乱的当代艺术话语,屏息凝神,让自己回到图像中思考。
在艺术实践的讨论中,“土地”总是处于一种边缘化的困境之中:一方面在当代艺术的实践中,我们缺失对于土地的记忆和经验,从另一方面看,对于土地的谈论也总是趋向于一种浪漫化的想象。这几年来,受限于物理上无法流通的困局,对于“附近性”、“都市状态”的谈论形成了一种普遍趋势。为了梳理出一条更好地去理解城市的线索,本期播客我们试图从扎根和演化的土地说起——土地和村庄是使城市形成某种特定城市文化的自然发展的情境,也是它的必要条件。 more
世界各地的摄影书展都有什么好玩的内容?每个地区又有着怎样不同偏好的人群和氛围?哪些书展更值得花时间去参加? more
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假杂志电台 launched 4 years ago and published 27 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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