Jazz Standards play by Ocarina w/ Guitar
Eric Chuang 莊智淵Enjoy relaxing jazz music that play by ocarina with guitar. The Guitarina Duo play nothing but jazz standards. 没想到陶笛吹奏正统爵士乐也可以这么好听！由无限融合乐团TFP吉他手、周华健等艺人演唱会专属吉他手所亲自演奏录制，用最纯粹且单纯的乐器编制，带给您最好听的爵士音乐。
| Publishes | Weekly | Episodes | 31 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language | Norwegian | Categories | Performing ArtsArtsMusic CommentaryMusic | ||
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Latest Episodes
Recado (或被称为 Recado Bossa Nova) 这首曲子是由巴西作曲家 Djalma Ferrerira 所创作的。曲子明显受到古典音乐浪漫乐派的影响，正如巴西早期的许多音乐作品一样。这首歌或许不像 Jobim 的曲子那么的脍炙人口，但也是受到为数不少的爵士音乐家所青睐，被大量的演奏并收录于专辑之内。 more
In Your Own Sweet Way 是爵士钢琴手 Dave Brubeck 众多作品中最有名的曲子。这首歌曲本身算是复杂，在和弦进行与调性转换上都对演奏者提供了相当的挑战性。此外，这首曲子有非常多不同的版本差别，在曲式、和弦进行、甚至是旋律上都存在相当程度的差异。造成这些差异的主因，是由于当初原创者 Dave Brubeck 录制这首歌之后不久，著名小号手 Miles Davis 也多次录制这首曲子，并且在上述之处做了不小的更动。再加上 Miles Davis 的这些专辑后来都成为了经典... more
如果你是一位爵士乐迷，你不见得一定听过 Tadd Dameron 这个人，但你应该会很熟悉他的作品。Tadd Dameron 是一位爵士钢琴手，同时也是爵士作曲家与编曲家。他创作过不少经典的爵士曲，包括这首 Lady Bird。这首歌曲以 Bebop 的角度来说并不复杂，毕竟是 1939 年的作品了。然而，它简单好听，深受广大爵士乐手与乐迷的喜爱，出现在许多经典唱片中，被无数的大师演奏过。 more
1956年6月26日，年仅25岁的乐坛新星小号手 Clifford Brown 因车祸去世，震惊了整个爵士乐界。同时身为好友与同事的萨克斯手 Benny Golson 创作了 I Remember Clifford 这首曲子来缅怀自己的老友。Benny Golson 的作曲功力，在爵士乐圈内算是数一数二的，这首曲子当然也是上上之作。曲子结构打破了一般爵士经典曲的对称结构，并且以重复的句型来堆砌情感上的张力，真的是一首充满感情的作品，也是我个人相当喜爱的一首歌。 more
Ceora 是爵士小号手 Lee Morgan 创作中相当出名的一个作品。它采用了 Bossa Nova 的风格节奏，搭配上各种爵士曲最常使用的 II-V-I 进行，成为了一首非常适合用来即兴演奏的曲子。值得一提的是，这首歌曲的旋律充满了各种半音趋近与经过音的润饰手法，再加上许多大音程的跳耀，非常适合拿来练习技巧。更重要的是，这个旋律真的是优美又好听啊！ more
萨克斯大师 Sonny Rollins 于 1956 年录制新专辑的时候，好友 John Coltrane 特地来录音室探班，于是众人提议安排一首歌曲让两位大师一起吹奏，相互竞技，应该会很精彩。由于两位萨克斯大师的主要乐器都是 Tenor Sax，于是将这首歌取名为 Tenor Madness。这首曲子在曲式上是一首 12 小节的爵士蓝调，旋律由少数几个动机 (motives) 所组成，借由当中一个音符的半音变化，巧妙的暗示出背景和声的改变，是认识爵士即兴演奏理论非常好的学习范本，也因此成为我个... more
过年期间闲来无事，于是将 CD 收藏重新翻出来聆听。在听到 Diana Krall 于 Love Scenes 专辑里所唱的 Peel Me a Grape 这首曲子时，觉得这首歌应该很适合用陶笛＋吉他二重奏的形式来演奏，于是我就录制了这个音乐。在这首歌曲的陶笛吹奏中，我使用了大量的 Growl 技巧，来让音色听起来更狂野有个性。其实我在之前的音乐也使用过这个技巧来吹奏，只不过这次的音乐里使用的更多与更明显。有兴趣的朋友可以稍微注意一下陶笛在音色上的变化，听起来很有蓝调味喔！ more
Up Jumped Spring 是爵士小号手 Freddie Hubbard 在 1962 年的作品。这首华尔滋在传统的和弦进行基础上，加入了一些近代的和声手法与声响，再配合上好听的旋律，使得这首曲子成为 Jam Session 上最常被演奏的爵士华尔滋曲目之一。 附带一提，现代爵士乐手喜欢在华尔滋的曲子上演奏 2 over 3 甚至是 4 over 3 的乐句(正如我音乐中吹奏的那样)，让原本 3/4 的歌曲产生一种转换成 2/4 拍的错觉，借以增添节奏上的变化与趣味。 more
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Reviews
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太贊啦！
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Apple Podcasts | #87 | China/Music/Music Commentary |
Apple Podcasts | #192 | China/Music |
Apple Podcasts | #233 |  Saudi Arabia/Music/Music Commentary |
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Jazz Standards play by Ocarina w/ Guitar launched 2 years ago and published 31 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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