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读音/doin'/

耳田

《读音》是一档以音乐类图书为出发点的谈话节目。每期节目围绕一本新近出版或值得反复阅读的中、外文音乐书展开,在介绍之余,从书中的观点延伸出去,聊聊音乐史、流行文化,以及它们与个人聆听经验之间的关系。本节目由资深乐迷、音乐类图书重度读者、音乐书策划兼译者耳田 a.k.a. mimida制作。

PublishesWeeklyEpisodes8Founded3 months ago
Language
ZH-CN
Number of ListenersCategories
Music HistoryMusicMusic Commentary

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Latest Episodes

上期节目,我们回顾了日本R&B在1990年代的形成过程。这期节目我们继续借着2026年2月发行的这本新书《日本R&B唱片指南》,进入这种音乐真正全面开花的阶段,也就是它风靡主流的“黄金期”——2000年代。

如果说1990年代还更多处于一个摸索和铺路的阶段,那么到了2000年代,R&B在日本就已经不再只是少数音乐人的趣味,而是彻底进入了主流流行音乐的中心。无论是女声R&B、男声组合、“chiki chiki”系、融合2-step的美声,还是和“催泪歌”、四拍电子舞曲的交汇,都让这个时期成为了日本... more

日本R&B从1990年代发展到今天,已经走过了差不多三十年光景。它并不是一个从一开始就定义明确,而后保持着清晰边界的音乐类型,而是不断吸收着新的声音一步步成形,又在一次次的时代转折中不停变化着模样。

这期节目,我们借着2026年2月发行的一本新书《日本R&B唱片指南》,一边听歌,一边一起回顾一下日本R&B的“黎明期”——1990年代。在那个涩谷系、小室家族、杰尼斯和日语说唱大混战的年代,一批日本音乐人踊跃尝试将当代美国黑人流行音乐的语法和质感带进日式流行歌中。这些尝试,最终为日本R&B这种本土音... more

电影《花束般的恋爱》中,原本是理想主义文艺青年的男主角在步入职场后,日常时间被手游和成功学书籍占据,逐渐开始读不进文艺作品,最后发展到对他人的文艺嗜好表现出明显的否定甚至贬低。这一极端情节虽属虚构,却真实地反映了许多人在进入职场之后的行为变化。

本期《读音》以此为切入点,暂时离开音乐,介绍一本近两年在日本引发广泛议论的畅销书:三宅香帆的《为什么人一工作了,就读不进去书了?》(なぜ働いていると、本が読めなくなるのか)。这本书并未停留在时间管理和个人意志层面,而是将“阅读”问题置于劳动结构和社会价值... more

本期《读音》,从一个最近的小观察说起:近期在国际媒体上公开发声的委内瑞拉流行音乐人,几乎都身处海外,尤其集中在迈阿密。

这种看似“集体外流”的现象,真的只是过去十年政治与社会动荡的直接结果吗?如果委内瑞拉国内并非当下这样的状况,这些音乐人是否依然会选择离开?拉丁流行乐的工业中心,究竟在不在拉丁美洲?而迈阿密,又是如何一步步成为“拉丁乐之都”的?

围绕这些问题,本期节目以天普大学出版社出版的拉丁流行乐研究专著 《Oye Como Va! Hybridity and Identity in Lati... more

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