
《读音》是一档以音乐类图书为出发点的谈话节目。每期节目围绕一本新近出版或值得反复阅读的中、外文音乐书展开,在介绍之余,从书中的观点延伸出去,聊聊音乐史、流行文化,以及它们与个人聆听经验之间的关系。本节目由资深乐迷、音乐类图书重度读者、音乐书策划兼译者耳田 a.k.a. mimida制作。
| Publishes | Weekly | Episodes | 13 | Founded | 5 months ago |
|---|---|---|---|---|---|
| Number of Listeners | Categories | MusicMusic CommentaryMusic History | |||

这期《读音》是一场临时起意的三人串台。
我邀请《西特泡普》的王瑞森和《反向乐事》的瑞弗,各自拿出最近两周在流媒体平台上点过“喜欢”的曲目歌单,在几乎没有准备的情况下,一起来看看一个80后、一个90后和一个00后,最近都在听些什么。
歌单是一种奇怪的自我暴露。有人用Apple Music,是因为它更像一个围绕专辑和资料库组织起来的音乐档案;有人用网易云,是因为上面有海外平台听不到的歌,而且它能更方便地观察到中文乐迷社群的动态;有人的歌单看起来很有听歌结构,有人的歌单看起来不像“正常人”;有人很少点... more
体育馆里的万人演唱会、超市购物时听到的背景音乐、一个人在厨房里随口哼歌、学校操场上的集体合唱、俱乐部里伴着音乐跳舞、戴着耳机独自发呆……每一天,我们都在和音乐打交道。但是在这些彼此差异巨大的场景中,是否真的存在一个统一、唯一的“音乐”概念?当我们说“音乐的意义”时,这个“意义”究竟是在声音里、在作品里、在专业人士的技术和天赋里,还是在其他什么地方?
本期《读音》,我们从克里斯托弗·斯默的音乐人类学名著《作乐:音乐表演与聆听的社会意义》(Musicking: The Meanings of Per... more
可能有很多朋友都注意到过这样一个现象:在流行音乐的世界里,一些被称作“DIVA”的歌手,往往在性少数文化中拥有非常特殊、非常强大的影响力。可哪些歌手算“DIVA”,哪些又不算?这些DIVA和她们的受众之间的关联具体是怎么形成的?很多时候,这些问题的答案我们似乎又并不真正清楚。
为了搞明白这些问题,我前后读了两本书:一本从个人成长经验出发,另一本则把“DIVA”放在更大的文化背景中进行学术分析。本期节目,我们就通过这两本书来了解一下:什么是DIVA,这个词在今天的流行音乐世界里到底意味着什么,以及... more
前三期节目,我们回顾了日本R&B在1990年代到2010年代之间如何逐渐成形,如何横扫主流,又如何不断分化、变形的过程。这期节目,我们进入日本R&B的最后一个阶段:扩散期。
如果说到了2010年代,R&B在日本多少还算有一个相对清晰的场景,那么到了2020年代,就连这个场景本身也开始变得越来越难以辨认了。然而与此同时,无论是突出亲密感的后疫情时代人声,还是和日语说唱、city-pop、K-POP、Y2K复兴以及全球流行语境的持续交错,又或是对日本流行音乐史本身的回望,在这些潮流中,都能清楚地看到... more
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读音/doin'/ launched 5 months ago and published 13 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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