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Artwork for 《癫狂纽约》Delirious New York

《癫狂纽约》Delirious New York

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本播客聚焦Rem Koolhaas在《Delirious New York》中剖析的曼哈顿城市设计基因,拆解这座岛屿从荷兰殖民地到“世界城市剧场”的演变密码。从1626年“虚假的土地交易”开始,曼哈顿的命运就注定与“规划与混乱”“自然与人工”的博弈绑定:1811年的网格计划用2028个方块“框定”未知未来,却意外催生了“刚性秩序中的自由生长”;中央公园以“人造自然”对抗城市扩张,成为“文化战胜自然”的标本;1853年水晶宫的穹顶与观景塔,预示了摩天楼时代的“针与球”形式辩证法;而奥的斯电梯的“安全演示”,则悄悄为垂直城市按下了启动键。

PublishesDailyEpisodes13Founded2 months ago
Language
ZH-CN
Categories
ArtsDesignHistory

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Artwork for 《癫狂纽约》Delirious New York

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在《癫狂的纽约》附录中提出的“虚构建筑项目”,解析这些充满想象力的设计如何延续并重构曼哈顿主义的“拥堵文化”。从“囚球之城”——这座以思想实验为核心、塔楼里诞生理论与狂想的“自我之城”,到横跨时代广场、能随城市能量升降头部的“斯芬克斯酒店”;从在东河上复刻曼哈顿网格、容纳未建成建筑的“新福利岛”,到从莫斯科漂洋40年抵达纽约、靠同步游泳推进的“漂浮泳池”——这些虚构项目不是空想,而是对曼哈顿建筑本质的激进诠释。

它们延续了曼哈顿“垂直分裂”“网格自由”的核心逻辑,却以更荒诞的形式打破边界:让酒... more

建筑师华莱士·哈里森(Wallace K. Harrison)的矛盾职业生涯,解析他如何成为曼哈顿主义从巅峰走向落幕的“见证者”与“参与者”。作为洛克菲勒中心、1939年世博会“光之城”与“民主之城”、联合国总部及林肯中心的核心设计者,他的作品里藏着一场隐秘对抗:一边是曼哈顿主义的“拥堵美学”——用曲线打破网格的僵硬,在“光之城”模型里让曼哈顿24小时生活浓缩为24分钟;一边是欧洲现代主义的理性入侵——在“民主之城”里植入勒·柯布西耶式的“塔楼公园”,在林肯中心剥离商业与文化的叠加,让建筑回归单... more

建筑大师勒·柯布西耶与曼哈顿的复杂纠葛,解析这位欧洲现代主义旗手如何带着“改造城市”的执念,将纽约视为“需要拯救的反例”。1935年,他首次踏上纽约土地,却直言“摩天楼太小、太拥挤”,痛批1916年分区法造就的“混乱天际线”是“机器时代的青春期躁动”。他带着自己的“光辉城市”蓝图而来:用分散的 Cartesian 玻璃塔楼替代密集的摩天楼,以大片绿地取代街道,让汽车而非行人成为城市的主导者,试图用理性规划“治愈”曼哈顿的“拥堵文化”。

1931年一场改变纽约娱乐建筑史的跨洋之旅:剧场大亨罗克西(Samuel Lionel Rothafel)带着建筑师团队奔赴欧洲,试图从现代主义建筑中汲取灵感,却在莫斯科的Constructivist剧场前感到无聊。这场旨在“学习严肃现代建筑”的旅程,最终以罗克西在回程邮轮上的“日落启示”收尾——他将夕阳的绚烂转化为Radio City Music Hall的核心隐喻,用石膏半圆拱、金色帷幕与紫色光影,在剧场内复刻日出日落的循环,让时间在演出中加速,让观众在人造光影中体验“一日如一月”的感官狂欢... more

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《癫狂纽约》Delirious New York launched 2 months ago and published 13 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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