一次又一次的新科技問世,改變了新聞事業的生態。原本,記者是居於閱聽人和新聞事件中間的角色,負責把新聞現場的資訊傳遞給無遠弗屆的觀眾和讀者,所謂「秀才不出門,能知天下事」指的就是媒體居間的力量。但未來,透過科技的即時資訊傳遞,中間人的角色不見了,不再因為有記者、有新聞媒體的傳播,而是因為科技把空間和時間的距離化為烏有,即時的影像訊息可以立即傳達給坐在客廳沙發的閱聽人,而且毫無保留、沒有任何詮釋,完全真實,完全客觀。到了那一天,新聞事業的末日才真正來臨。而那一天,會很遙遠嗎?我怎麼覺得,在我有生之年... more
調查局神祕的面紗因為愈來愈法制化而被揭開了嗎?調查員情治色彩中的「情報」愈來愈淡,而「治安」的成份愈來愈濃了嗎?這樣的路線調整,真的符合時代需要嗎?這些問題,我沒有答案,或許只能留給後世來解答。
但對我而言,能為劉禮信主任寫完這本《調查員揭密》,等於完成了多年的心願,我終於可以自豪的說,調查局從1994年後的空白,我補上了。
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回想起來,《蘇菲的世界》是我真正踏進哲學之門的入門書,那已經是27年前的事了。但我永遠忘不了,當年讀到這本書時,心中所受到的一次又一次的震撼。我非常感謝喬斯坦.賈德。這位挪威作家的一本書,開啟了我的心靈之眼,讓我的一生從此不同。
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記者在新聞現場時,總要讓自己抽離,成為第三者,才能以冷靜客觀的態度觀察採訪。記者在書寫自己時,又要如何讓自身抽離,如何能冷靜客觀的將自己經歷過的萬般往事道盡?老記者張作錦先生透過這本《姑念該生:新聞記者張作錦生平回憶記事》,作了最好的示範。
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達達的馬蹄 launched 9 months ago and published 36 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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