波长cinema
波长cinema从黄金时代的好莱坞开始，用一种玩耍的方式，寻找值得再被提起的电影。
| Publishes | Monthly | Episodes | 23 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language |  ZH-CN | Number of Listeners | Categories | TV & FilmArts |
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欢迎回到波长。今天，广东没有雪，气温25度，家里没有圣诞树，我的袜子小得放不进任何礼物，老板说，“今天不是法定节假日。“ 似乎今天就只是今天，明天仍旧消极地等待我们。直到… 我拿起手机看到朋友圈里认识的朋友分享自己喜爱的圣诞歌曲，随便打开一首来听，令空气充满幸福的音乐，直到最好的朋友发来消息，邀请我晚上一起聚餐，直到妈妈走进房间抚摸刚睡醒的我的迷糊的脑袋，说：圣诞快乐。直到，夜晚的我们坐在电脑前，与来自五湖四海的“陌生的”朋友一同观看一部叫《卡罗尔》的电影…
如同艾伦·德鲁在《七月圣诞》说出的... more
欢迎回到波长，今年的12月6日，仇晟导演的新片《比如父子》开始在全国上映，我们希望借此机会，分享去年年底时与他的一次长对谈，当时仇导作为海南岛国际电影节的观众，志愿参与了 Omnes Films 小组作品展映的映后及同传翻译工作，创造了许多有趣的故事。以海影节为引子，仇导还分享了他作为资深影迷最难忘的电影节展、他对独立电影放映的观察和期待，以及一种“非严肃”的迷影态度；同时，他还介绍了自创的片单、从大学至今的迷影经历，等等。
如今一年过去，一系列令人难忘的放映活动在国内展开，新一届海影节也正在... more
欢迎回到波长，也感谢各位新老听众助力我们突破一万关注大关！本期节目是为一次特别美好的电影节报道专门录制，借此机会讨论了四部来自一九八零年代的女性导演作品：罗宾娜·罗丝的《夜班时分》（Nightshift, 1981）、贝蒂·戈登的《午夜剧院》（Variety, 1983）、苏珊·塞德尔曼的《来自纽约的女孩》（Smithereens, 1982）、以及香特尔·阿克曼和她的学生们共同创作的《洋槐旅馆》（Hôtel des Acacias, 1982）；同时，我们也讨论了一部我们都很喜欢的新片，比利时... more
欢迎回到波长，本期播客我们和朋友们一起讨论了雅克·塔蒂1967年的作品《玩乐时间》，近期也在国内多个城市展映。这部杰作展示了一个图像爆炸式的巴黎，城中有一些冒失天使，比如穿花袜子的于洛、总是掉队的芭芭拉，她们自发地游走、暂留，吸引人们目光的同时也造成迷惑。事物外形相似而质料不同，触发着迷路之人的不舍。
基于影片的特质，我们的对话也并非为了获取标准答案，而是为了在错觉中保持站立、自由地流连，正如拿一瓶酒浇灌满头的鲜花，图像的矛盾，为我们创造几乎是幸福的方向。（序/石新雨）
节目大纲：
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Apple Podcasts | #32 | China/TV & Film |
Apple Podcasts | #93 |  Japan/TV & Film |
Apple Podcasts | #187 |  Taiwan/TV & Film |
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| Listeners per Episode | Gender Skew | Location | |||
|---|---|---|---|---|---|
| Interests | Professions | Age Range | |||
| Household Income | Social Media Reach | ||||
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波长cinema launched 2 years ago and published 23 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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