
从黄金时代的好莱坞开始,用一种玩耍的方式,寻找值得再被提起的电影。
| Publishes | Twice monthly | Episodes | 21 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | TV & FilmArts |

欢迎回到波长,也感谢各位新老听众助力我们突破一万关注大关!本期节目是为一次特别美好的电影节报道专门录制,借此机会讨论了四部来自一九八零年代的女性导演作品:罗宾娜·罗丝的《夜班时分》(Nightshift, 1981)、贝蒂·戈登的《午夜剧院》(Variety, 1983)、苏珊·塞德尔曼的《来自纽约的女孩》(Smithereens, 1982)、以及香特尔·阿克曼和她的学生们共同创作的《洋槐旅馆》(Hôtel des Acacias, 1982);同时,我们也讨论了一部我们都很喜欢的新片,比利时... more
欢迎回到波长,本期播客我们和朋友们一起讨论了雅克·塔蒂1967年的作品《玩乐时间》,近期也在国内多个城市展映。这部杰作展示了一个图像爆炸式的巴黎,城中有一些冒失天使,比如穿花袜子的于洛、总是掉队的芭芭拉,她们自发地游走、暂留,吸引人们目光的同时也造成迷惑。事物外形相似而质料不同,触发着迷路之人的不舍。
基于影片的特质,我们的对话也并非为了获取标准答案,而是为了在错觉中保持站立、自由地流连,正如拿一瓶酒浇灌满头的鲜花,图像的矛盾,为我们创造几乎是幸福的方向。(序/石新雨)
节目大纲:
•... more
欢迎回到波长,今年8月14日,是演员吉娜·罗兰兹的一周年忌辰,我们和「异见者」共同组织了一场线上观影活动,回顾罗兰兹的四部代表作:《明妮与莫斯科威兹》、《醉酒的女人》、《首演之夜》、《爱的激流》 。本次播客是活动结束两个月之后,大家围绕《醉酒的女人》展开的又一次讨论。我们无法忘记吉娜,正如相信表演是一种独立精神,它让角色保持着内在的秘密,也让舞台上的搭档相互信赖。
内容大纲:
• 00:04:10 罗兰兹的表演跨度,自己的身体与所有的性格
• 00:16:06 世界属于每一个角色,即... more
欢迎回到波长,2025年2月末,春节稍稍过去,武汉冬日的严寒终于不再那么地“拒人于千里之外”,人们的心情恰时地放松了一些,可能因为那是新的一年,新的开始,世间一切的事物梳妆打扮好了它们自己。也因此,在某一天的午后,屋外下着小雨,我们和本期播客的嘉宾,台湾知名学者、译者,目前在武汉任教的蔡文晟教授坐在了一起,围绕“电影之爱”、“迷影之爱”等话题展开了精彩的讨论。他于2022年出版的译作,安托万·德巴克的《迷影:创发一种观看的方法,书写一段文化的历史》,是电影爱好者们熟悉的重要作品。
本次谈话并不... more
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #37 | |
Apple Podcasts | #47 | |
Apple Podcasts | #145 | |
Apple Podcasts | #224 | |
Apple Podcasts | #246 |
Listeners, social reach, demographics and more for this podcast.
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波长cinema launched 2 years ago and published 21 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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