2016年的韓國電影《下女的誘惑》由朴贊郁執導,
改編自英國小說《Fingersmith》,將故事從維多利亞時期搬到日本殖民時期的朝鮮半島——
這是一部既華麗又殘酷的作品,愛與慾望在謊言裡生長,但最終卻成為女性自我救贖與自由的出口。
本集我們將聊聊:
• 為什麼《下女的誘惑》不只是愛情片,還是權力遊戲的縮影?
• 劇本結構如何以三段敘事視角,層層翻轉觀眾的認知?
• 欲望場景背後的敘事意義,以及「女性主體性」如何在電影裡展現?
快跟著我們來解構這部電影的精彩敘事吧~
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2013年由史派克・瓊斯自編自導的《雲端情人》,講述一個孤獨的男子愛上了一個AI「薩曼莎」的故事,這部片在當時獲獎無數,不僅是一部浪漫科幻愛情片,更是一面映照我們與 AI、與自我、與愛情關係的鏡子,即便在2025的今天仍然令我們感同身受!
《雲端情人》在 12 年前就精準預言了現代人與AI的關係,並也提出了許多值得探討的問題——愛情真的只存在於人與人之間嗎?人工智慧能理解人類情感嗎?虛擬的愛,能否與真實情感相提並論?
在這一集中,我們將從劇本角度深入拆解,什麼才是「真感情」?
就讓我們一... more
《子彈列車》是2022年的動作喜劇片,導演大衛雷奇是特技演員出身,
也當過主演布萊德彼特的替身,兩人這次合作可以說是「命中註定」!
宣傳期間,兩人都公開表示很崇拜成龍,所以這部片也特別致敬成龍的動作喜劇風格!
而在後續的評價中,媒體主要讚揚演員的表現和動作場面,但劇情卻飽受詬病,這是怎麼回事呢?
就讓我們跟著編劇的視角,來研究一下這部片的劇本編排與動作設計吧~
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2022年的《鬼手鬼手請開口》被讚為「21世紀最恐怖鬼片代表」!
澳洲知名Youtuber丹尼菲利浦 X 麥可菲利浦 雙胞胎兄弟的長片處女作(也太有才了吧),獨立製片公司A24繼「媽的多重宇宙」又一力作!
電影完美融合 青少年元素 與 驚悚恐怖氛圍,全程無尿點(被嚇尿除外)
就讓我們跟著編劇的視角,一起來聊聊這部片的精妙之處吧~
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2025的《侏羅紀世界:重生》是「侏羅紀公園系列」的第七部電影,這個經典IP在今年真的重生了嗎?
全球票房突破8億美元,但影評網站卻只有5.5/10分?
雖然觀眾反應熱烈,但影評人卻普遍認為角色單薄、漏洞百出,究竟是為什麼呢?
就讓我們以編劇的視角來拆解劇本吧!
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