
「本頻道音樂歡迎下載使用」 北港地區的「轎前吹」音樂,因應北港進香與北港迎媽祖之宗教需求,其曲譜、樂理性質、音樂內容與子弟軒社不盡相同,專職服務北港地區廟會迎神之需求,有別於地方子弟軒社「游於藝」的態度,將鼓吹樂用於神轎前開路之用途,遂成為北港地方傳統音樂之特色,且具有非常高的藝術性.雖然時至今日已被錄音設備取代,不似往日熱絡,但如此珍貴的文化資產.實在有傳習、發揚的必要。 本節目中鼓吹樂皆由雲林縣傳統表演藝術轎前吹保存者 蘇仁義演奏 Powered by Firstory Hosting
| Publishes | Twice weekly | Episodes | 9 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language | Category | Music | |||

擂鐘台~顧名思義就是上鐘台擊鐘。
為什麼要擊鐘?可能是要集合、出發,或是提醒某個儀式即將開始;在以上的時機就非常適合演奏這首曲子,是北港地區開路鼓、轎前馬陣吹應用非常廣泛的一首譜
演奏者-雲林縣轎前吹保存者 蘇仁義
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北管曲牌非常多,應用在各式各類的戲曲段落,此首曲牌名稱為{大仙},只有四段,第一段也是用北港鼓吹特殊的演奏方式吹奏,味道十分特殊~
司鼓 林永平
鑼鈔 黃冠中
鼓吹 蘇弼鈞
蘇仁義
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北管音樂源自於北管戲,其中包含鼓吹樂的牌子、絲弦樂的幼曲,以及配合科步的鑼鼓樂組織而成,演出大多為酬神所需,因此一開場的扮仙就成為最重要的戲齣 ; 扮仙戲齣非常多,最經典的便是醉八仙,不但包合了所有的生、旦、花、丑等腳色,曲牌演奏中也幾乎將所有的鑼鼓點都納入了,以達十全十美之涵義。
此段音樂屬於沒有唱詞以及口白的純器樂演奏,為道壇建醮第一天鬧廳時錄製,除了呼應先扮仙再演法的意義之外,也是展現後場樂師技藝的重要時刻,為了突顯樂師在地性的音樂特色,因此是以北港地區特有鼓吹的演奏方式來詮釋,跟一般的... more
過江龍~管位為正管(調性接近#F),也稱翕上管(全閉音為上),大部分於排場或是祭祀場合使用,亦即神明請至家中之後,信眾焚香祝禱時吹奏之曲
演奏者 -雲林縣傳統表演藝術轎前吹保存者 蘇仁義
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昔日有著「小台灣」之稱的北港,不但人口眾多,族群也相當多元,宗教信仰自然不會只有媽祖,每年農曆十月北港的下元遶境,就是以奉祀馬鳴山五年千歲為主的聖安宮主導,巡狩地方,保境安民。
而馬鳴山鎮安宮,全台五年千歲的總廟,每逢寅、午、戍年的大祭典更是雲嘉地區的盛事,前來迎請王爺巡狩遶境的村落單位不下數百處,家家戶戶殺豬屠羊,叩謝神恩,熱鬧非凡。
北港轎前吹在前人不斷的努力,以及在地宗教文化累積後,已經有一套非常嚴謹吹奏規範,其中最大的特色,就是依據不同對象、不同場合使用不一樣的調性以及曲目,這首工管的北... more









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